Can't Stop, Won't StopA Look at a Few of This Year's Highlights by Meat So 2005 was an interesting year for rap music. Although, we still had the usual one-hit wonders and countless albums full of fillers and disappointments, the year did produce a few somewhat memorable moments. Strictly based on the entertainment value, it was all about the beef between 50 Cent and the Game. In one year, we saw the rise, the signing of and the eventual fall-out between these two label mates. From shootouts at New York radio stations to a brief public truce, this saga has it all; drama, suspense, betrayal, and it ain't even over yet! The thing is, out of all this came a wonderful series of underground instigation in the form of mix tapes. Some of these were better than anything either artist had put out thus far, especially for the Game. He managed to demonstrate some serious hunger that was noticeably absent on his album. Sure, he shot himself in the foot by doing so, but it did give him just the right forum for him to do what he does best. Peep out "300 bars" (arguably Game's best verse to date) on any number of these mixes for further proof.
Still, if what you need is a little more of that hand-eye coordination shit then check for the ever-reliable Oakland Faders or Demolition Men who managed to put out their fair share of quality mix tapes this year. For beatheads it was DJ Platurn (one part of the Faders) who takes the cake with two memorable efforts; his ode to De La Soul entitled So This is De La Heaven, Part 1 and the blend-infested Blendapellas with DJ Enski. Both manage to equally show Platurn's skills as a turntablist as well as a dope party DJ. As for the Demo Men, they come hard with their Street Radio series featuring the likes of Vincent Price and Bay Area's own Balance hosting the festivities. Using the forum to break new songs as well as give their chosen host some time to shine Street Radio is everything KMEL would want to be. As for the radio, the South has completely dominated the airwaves and leading the pack has been Texas' Swishahouse crew. Having produced tracks for some of the most popular albums of the year, including Paul Wall's The People's Champ and Mike Jones's Who is…?, they have finally introduced the Chopped and Screwed sound to most of the country (Peace the originator DJ Screw). Personally, no album stands out on their own due to the fillers that engulf each release, but singles like "Sittin' Sidewayz", "Back Then" and "Still Tippin'" are straight dope, hands down. Speaking of 12" singles, Balance's "Right Here" should have cats fiending his upcoming release on Fontana, and DJ Shadow's foray into some town business on "3 Freaks" featuring Keak and Turf Talk is undoubtedly the most surprising release of the year. A single that will surely unite two groups of people that have had very little in common up to this point (note: this is a very limited release so snatch up your copy before the Japanese get wind of it). Obviously, by now we all have heard "Super Hyphy", but that
was just an indication of what's to come in the future from our hometown
heroes. Berkeley rhyme sayers Frontline also plan to
be part of that future and their Now You Know album that dropped
earlier this year proves that they're worthy of such. Other Bay titles
to peep are Mista Fab's Son of A Pimp,
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